In this volume of the MARG magazine light is shed on the growth and changes in Bombay cinema over the last 100 years.
The present issue has been conceptualized as a loose set of essays that respond to the gigantic scale of Bombay cinema history of the last 100 years through a mix of longue durée reviews of this history, contemporary responses to key issues in Bombay film studies, a focus on key elements of Bombay film spectacle such as song, dance and costume, and historical pieces pertaining to early, middle and contemporary histories of the institution.
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